Running from December 2 through 8, 2019, the Faena Festival: The Last Supper is an exploration of spirituality and food, abundance and sacrifice, indulgence and abstinence, and archetypal symbolism and contemporary aesthetics.
Not too long ago, the fall of the Wall was one of the most salient symbols of twentieth-century utopianism. More recently, however, the surge in extreme nationalism and polarizing populism have given way to more divisive ideologies. Walking Through Walls is, therefore, a timely response to the current moment whereby the Berlin Wall is extended beyond its German
The first commissioned artwork for the Ames Family Atrium, Ámà: The Gathering Place by Emeka Ogboh (Nigerian, b. 1977) is an installation integrating sound, sculpture, and textiles. As you listen to the music that migrates throughout the atrium, we invite to you to relax and consider your experience of this setting. The work’s point of departure is the social role of the Cleveland Museum of Art’s
The Exhibition infuses the publicly accessible terrain of ASIAT with in-situ commissioned works. With a strong focus on cross-disciplinary practices, hovering between artworks, collaborative projects, stage design, scenography and architecture. The Exhibition runs from 14.07 until 15.09, and is reconfigured for its final destination, the Festival. Our generation is getting ready, preparing itself, getting armed for the coming fall. Of the ecosystem, of capitalism,