Amuse-bouche. The Taste of Art» is the third art experiment at Museum Tinguely, entering the world of the human senses. These play an essential role in the experience of art. Our perception is always multisensory and strongly influenced by indivual emotions and memories. Especially regarding the sense of taste, it often cannot be separated from the sense of smell or the sense of sight. Amuse-bouche focuses on the sense of taste and poses
Is there a reason why these words use the same letters? Coincidence? A proverb says,´To be a good listener you have to be silent first.' Guided by this inspiring theme, we explore the many aspects and relationships of silence and listening. We experience the communication of nature in its many facets, discover places dedicated to silence and exchange and experience the poetry of silence as well
An exhibition by the Munich Documentation Centre for the History of National Socialism on the future of the past November 28, 2019 – August 30, 2020 “The purpose of art is to lay bare the questions that have been hidden by the answers.” (James Baldwin) The exhibition titled Tell me about yesterday tomorrow opens up a dialogue between contemporary art and the remembrance work performed by the Munich Documentation Centre for the
FIAC Projects (17th - 20th October 2019) presents some thirty sculptures and installations, within the prestigious setting of the Petit Palais and on the Avenue Winston Churchill, pedestrianised during FIAC week. Instigated by FIAC, the pedestrianisation of the Avenue has enabled the temporary reconstitution of the original esplanade of the 1900 World Fair, thus connecting the Petit Palais and the Grand Palais. This
Not too long ago, the fall of the Wall was one of the most salient symbols of twentieth-century utopianism. More recently, however, the surge in extreme nationalism and polarizing populism have given way to more divisive ideologies. Walking Through Walls is, therefore, a timely response to the current moment whereby the Berlin Wall is extended beyond its German
Kasper König's exhibition does not just follow purely commercial interests. Beyond the dialogue with his son Johann, he was attracted by the extraordinary architecture of the gallery in the former Catholic church of St. Agnes. The high nave, preserved in its original proportions, today presents itself as a fabulous exhibition hall, representing a challenge for every artist and curator. König exhibits works by
The first commissioned artwork for the Ames Family Atrium, Ámà: The Gathering Place by Emeka Ogboh (Nigerian, b. 1977) is an installation integrating sound, sculpture, and textiles. As you listen to the music that migrates throughout the atrium, we invite to you to relax and consider your experience of this setting. The work’s point of departure is the social role of the Cleveland Museum of Art’s
The Exhibition infuses the publicly accessible terrain of ASIAT with in-situ commissioned works. With a strong focus on cross-disciplinary practices, hovering between artworks, collaborative projects, stage design, scenography and architecture. The Exhibition runs from 14.07 until 15.09, and is reconfigured for its final destination, the Festival. Our generation is getting ready, preparing itself, getting armed for the coming fall. Of the ecosystem, of capitalism,
The exhibition Multiple Transmissions: Art in the Afropolitan Age, takes as its starting point the group of African artists who completed residences at WIELS between 2015 and 2019. Today an integral component of the art world landscape, residencies put artists in motion around the globe, while simultaneously immersing them in one place for a definite period of time. Artists, and African artists in
During 1-54 Marrakech, DADA inaugurates its exhibition space dedicated to contemporary creation, and presents an unprecedented installation by the Nigerian artist Emeka Ogboh. Assembling works from the Lagos Soundscapes project, together with sound compositions created from recordings captured in the Marrakech Medina, the installation fits within the research and work led by the artist investigating the history and aural infrastructures of cities. The
The exhibition No Looking Back, Okay? stems from the belief that we do not perceive the past as a concluded story, be it in the form of either a colorful history, lived memories, cultural heritage, or political symbols, but as a field of possible new experiences, which requires from us a contribution of creative and critical responsibility.
Galerie Imane Farès is proud to present Emeka Ogboh’s first solo-exhibition in Paris, curated by the Nigerian-born curator Ugochukwu-Smooth Nzewi. Ogboh who works in a variety of media with sound as his principal medium, is one of the most innovative conceptual artists practicing today. The exhibition which is titled No Condition is Permanent, a popular Nigerian phrase that reflects the shifting nature of
Columbia’s Institute for Ideas and Imagination has announced its first cohort of fellows, a group of 16 preeminent scholars, writers, and artists from around the world who are being brought together for year-long residencies at Reid Hall in Paris. Reid Hall is the home of Columbia Global Centers | Paris. The fellows will begin their residencies in September 2018.
The Hugo Boss Prize honors outstanding achievement in contemporary art, celebrating the work of remarkable artists whose practices are among the most innovative and influential of our time. The biennial prize, established in 1996, sets no restrictions on age, gender, nationality, or medium. Juried by an international panel of distinguished museum directors, curators, and critics, it is administered by the Solomon R. Guggenheim
Tate Modern opened two major works in the Tanks today. Emeka Ogboh’s immersive, multichannel sound installation, The Way Earthly Things Are Going 2017, fills the subterranean East Tank in the Blavatnik Building. This installation is on display for the first time in the UK following its debut at documenta 14 in Athens. In the South Tank, The Lightning Testimonies 2007, a powerful eight-channel,
As a monument to Philadelphians’ voices and visions, Emeka Ogboh’s Logan Squared: Ode to Philly features a collaboration with beloved Philadelphia poet Ursula Rucker, members of the Chestnut Street Singers, and hundreds of Philadelphians whose ideas were documented during Monument Lab’s discovery phase. Throughout his work, Ogboh creates soundscapes to honor and understand cities. For Monument Lab, Ogboh conceived of a collaboration to
Every Time a Ear di Soun, a documenta 14 Radio Program, is being presented on February 23, 2017 in Berlin. Deutschlandradio Kultur and documenta 14 cordially invite you to join them for the event in the domed hall of SAVVY Contemporary. The Artistic Director of documenta 14, Adam Szymczyk, artists Angela Melitopoulos and Emeka Ogboh, and curators Bonaventure Soh Bejeng Ndikung and Hila
The fifth edition of the once-in-a-decade Münster Sculpture Projects, taking place in the north German town of Münster from June 10 to October 1, released its participating artists list. Among the thirty-five artists representing nineteen countries in this massive exhibition are Michael Dean, Cerith Wyn Evans, Justin Matherly, Emeka Ogboh, Gregor Schneider, Thomas Schütte, Hito Steyerl, and Oscar Tuazon.